Thursday, December 31, 2009

A Rant: Films and Short Stories

District 9 has the same problem I have been noticing in a great many movies lately, in which the movies are just too long. Looking at what i have already seen 4 of the 20 movies I have seen that dragged on, and could have been better if edited down to the 90 minute mark. (Spider-man 3, Funny People, Avatar, and District 9) In the case of Funny People, I think the screenplay was at fault for the failure of Funny People's second half. The rest of these films are action packed thrill rides that just cannot awe me anymore.
Had the director, or the producers, edited these films and removed these excessive action sequences the movies would have been so much better, if only because the brevity would be a sweet relief.
Avatar would have been spectacular if everyone was killed when the tree burned down and the story ended there. Why? Because tragedy hits you harder than comedy does and we would not have had to endure the story for the next 45 minutes. It would be certainly less epic, but the world of Pandora (which was my favorite part of the film) would have been the obvious highlight instead of the drawn out super battle at the end.
That is just one example.

I want to finish this little rant on being concise by relating film to literature. Look at a novel. Films and novels are very similar. They both share stories but what we expect from each medium is different. A film is limited to at most three hours, because a film should be seen in one sitting. This means we have to be told a story in this time and we have to be engaged throughout it. A novel is different. Novels are fueled not only by the stories they tell but by the enjoyment of the words that form it. Very few novels can actually be finished in one sitting and the way they are made no one actually expects people to do that. Instead the novels are meant to be digested slowly at the digression of the viewer. This is why a 1000+ page novel is not a bad thing.
Now you might be wondering why I am ranting on about this and I'll tell you. My philosophy toward film is to not make it like a novel, where entire stories and motifs can be just forgotten and still be enjoyable. Instead movies should be made like short stories , with a microscope and a subtle attention to detail. Short stories are meant to be read in one sitting, like a movie should be seen in one sitting. Short stories are much more dependant on making each word count and each film should make every scene, and every shot count. Short stories cannot allow there to be filler.
What I am getting at is this: If you want to make a movie that is an epic 3 hour blockbuster, you had better make every minute count because every wasted minute is a failure.

Who wants seafood?


District 9
Day 20
Film 20


Hey look at that! I'm still on track for this whole thing. Sweet!

I walked into District 9 with a quizzical air. The huge marketing campaign and the small army of fan boys that appeared in its aftermath made me believe that this film was just too good to be true. I was not blown away by District 9. A good portion of it was the usual sci fi junk, filled with more explosions than character and using special effects to make us forget about its holes. District 9 did do some things to transcend its sci fi brothers. It tried its best to sell a deeper message than its Hollywood counterparts, and even if the message failed it should be respected for it.

District 9 builds a realistic world twenty years after first contact with a spaceship of alien refugees, the Prawns. These aliens serve as an allegory for other refugees and the first thirty or so minutes of the film do a spectacular job showing the squalor and crime built around desperate and unwanted people. The movie really shines in these scenes as the brutally true satire makes you squirm. It is kind of a shame Blomkamp did not decide to follow this theme the entire film, and as soon as our poor bureaucrat protagonist Wikus van de Merwe (Copley) is space gooed the movie starts to fall back into more mindless roots.
The rest of the film is filled with stereotype military goons, status quo alien research laboratories, and packed with action that would be boring had there not been some super cool alien weaponry to shake things up. It is not bad, but it all feels done before, which feels like a let down after District 9's amazing start. By about the 90 minute mark I was hoping for things to start cleaning themselves up.

My final verdict:
I was not blow away by District 9 but it is better than 90% of the crap out there. It is worth a viewing.

How many dick jokes can you count?


Funny People
Day 20
Film 19

To be honest I did not pay too much attention to Funny People. The Internet can be a very distracting thing. As the film went on I became more interested in it than I did about the Internet, and more specifically World of Warcraft. That does take a pretty good film when you think about it.

Funny People is a thinking man's comedy with just enough blunt humor to keep the lesser thinking types entertained. It looks at a successful comedian, George Simmons (Sandler,) who's success has deformed his personality into that of a child's. It is a tale of redemption and heartbreak as his assistant, opening act and best friend Ira Wright (Rogan,) teaches him how to be human again. The story is heavy hitting and not the type you expect from the two leading men, fueled by their more than respectable performances.
It is not perfect. The film is a little long and the humor has a tendency to lull at points. It falls short as a piece of art lacking extra depth beyond the main plot. This are all small problems and can easily be forgiven.

My Final Verdict:
This is not the happiest comedy you can find and it is because of that this is a good film. It is bittersweet film that most people should enjoy at some level. I would recommend it.

Wednesday, December 30, 2009

For No One

(500) Days of Summer
Day 20
Film 18

I have wanted to see (500) Days of Summer for months now. The preview really got me hooked, on top of the high overall score at Rotten Tomatoes and the fist full of award nominations it had from the independent film circuit. That and I am a sucker for almost romance movies.

(500) Days of Summer is exactly the kind of movie I love the most. It takes chances. It plays with the medium and storytelling. It has Zooey Deschanel (who I did not know about before this film and I am absolutely in love with afterwards.) It takes all of these pieces to make an enjoyable, heaving hitting comedy.

(500) Days of Summer starts off by saying that it is not a love story, it is a story about a boy and a girl but they are not destined to be. It follows our lovable protagonist, Tom (Joseph Gordon-Levitt,) who is a man who believes in true love and is easily pulled every which way. In the beginning he has no spine and it is obvious. Summer (Deschanel) is a little more proactive and harbors a complete opposite view on love. It tears them apart. We knew this was going to happen, and the course of events that breaks them is very well put together. The interesting thing is where they go from what we know and twists it.
(500) does not end at the break up. It uses the scene to skyrocket it into an analysis of a broken heart and how someone can recover from it. I do not want to give anything away here, because it is all spectacular and I would hate to spoil it.

There are a couple motifs I almost want to hit on but I do not feel like I should. I doubt anyone really cares about them too terribly much and since I am still behind on the count I will save them for my own personal musings.

My final verdict:
I loved (500) Days of Summer, although it probably is not the perfect movie for every occasion. It makes you think, so be wary before watching it with a significant other. It is a great movie, my favorite so far and I would recommend it to anyone who enjoys to chew through a film.

I want to leave you all with one of my favorite clip from this movie:

Humor under a black veil

Death at a Funeral
Day 20
Film 17

This is going to be short, I have a clutch of movies I have been procrastinating on. so lets get to it.

Death at a Funeral was a film I wanted to see if only because Alan Tudyk (who plays characters that always seem to die) would not die in the film. I could go into the few films I have seen him in but I won't because I'll start ranting about how Joss Whedon is bad at his job.

Death at a Funeral was a short, mostly entertaining romp through a funeral where everything has gone wrong. It has the quirk of being British, losing some humor in translation and it is a little slow, but building up speed as it nears its conclusion. It is farcical in its nature throwing in almost unreal situations that blend together to create a frantic hilarity that was very hit and miss for me.

The plot is that of most funerals. There are grievers, but most of them do not really show it or do not care enough about the dead. The family is there, grown up and estranged. If you were to take out a couple pieces that the humor relies on (most importantly the drugs Tudyk's character consumes and the gay dwarf that appears from nowhere demanding money from the family) you would be left with a somber, and boring as tar, look at a funeral.

I liked Death at a Funeral, and although I know i did enjoy it I do feel that saying that is a little bit too much. Overall it was an enjoyable movie, but it felt like a very average movie. The humor was good, but it did not have the same punch as In the Loop did. Humor is just as good as it attempts to be. Death at a Funeral takes a look at funerals and the things that happen there, but I have only been to one funeral, and I was not paying too much attention. If I was an older man I would like to think that some of the humor would hit a bit harder. That is only speculation.

Death at a Funeral was a fun movie, entirely worth renting if you are a fan of British humor. It is not a must see.

Sunday, December 27, 2009

How can Pixar top this?

Up
Day 16
Film 16

I wanted to see Up in theaters and never got around to it. I saw it at Blockbuster last night and snatched it up immediately. Pixar has yet to let me down and Up is no exception.

What I loved about Up is that it is the kind of movie that is sewn together with such tender loving care one cannot help but be blown away by it. The characters are complex and instantly lovable and their adventure is awe inspiring and imaginative. Pixar really knocked it out of the park with this short and sweet tale of age and never giving up on your dreams.

Thinking back on the movie I do not think I can find any holes in it. The movie is short at just over 90 minutes and because of it it feels more like a finely crafted poem. Every scene is put in the perfect place and it makes this wonderful gem of a movie that does not drag, but does not feel like you missed anything.

I could ramble on and on about how much I loved Up, because I did. But I will not, save for this last sentence. Up is a wonderful, powerful amazing piece of animation and you should go and see it right now if you have not.

Just Shiny Enough

Avatar
Day 16
Film 15

This one was going to happen at some point in the list. The hype for Avatar before it came out was just ridiculous! Avatar was supposed to revolutionize film!
I will say this, Avatar does not do that. I will be willing to accept that it changes special effects, but that is nothing new. Effects have been slowly building on each other slowly over the last couple decades. Avatar serves as multiple steps forward in this sense but beyond that is an over exaggeration. To change film making would be to change how we tell stories at a very basic level and Avatar falls short of that on every other level.
Before I tear into Avatar I will say this: Avatar is a good film. For every one of its flaws it is still a spectacle that should be watched.
I think for this specific movie I am just going to avoid the critical analysis if only because Avatar spoon feeds the audience the message and now that we understand that to the flaws:

Do we really need another Dances With Wolves?
This is the flaw everyone is attacking, and with good reason. If a movie is meant to revolutionize film then why would it retell a story already a million times told? It feels lazy for so much money and time to be spent making a breathtaking world to throw it away on a story we already know.
The argument against this feels like a cop out. Well the technology is just so new and the world so alien that any more experimental story would cause the audience to be lost. Cameron is here to make his 500+ million dollar budget back, there is no way he could make that kind of money if he were to make a more artsy film. We lose Avatar's true potential in the dregs of rehashed goo. It is a shame, but since when has Cameron ever gone beyond a popcorn structure?

Just in case you did not know, South Park beat everyone else to the punch.

How Alien is Pandora?
This kind of tore me out of the movie again and again. This might just be something that annoys me and only me, but for a movie that is supposed to be so amazingly alien and imaginative as Avatar it does feel like we are subjected to a world that is just too much like earth.
This rant will be short, as I feel it should be stated but not relished on. Looking at the science that makes life on earth work, based on the breaking down of sugars and the beautiful relationship of CO2 H2O and O2 in this it makes me wonder. Why would a world without oxygen be anything at all like Earth? Instead of being truly alien we are engulfed by a world of tweaked creatures and plants. It drove me out of the movie again and again and again.
It could be just me, but I feel like it should be said. Why? Because if this is the future of sci fi we are going to need to get beyond our world and find an entirely new one.

Can we end this already?
Avatar was painfully long. The end dragged, carried only by the powerful scenes that led up to it. It could be that I am so tired of climactic battles that last for a half hour. It could be that we did not need the bridge between the two battles. It could be that (SPOILER) Sigourney Weaver's death was just a waste of time, even if it was the emotional climax of the film (SPOILER END.) If Avatar was a shorter film it would have been so much better.

DEUS EX!? Really? Aw come on!
This really pissed me off. It is like slapping the protagonist in the face. If you cannot make the protagonist strong enough to overcome the forces that oppose them then you should aim to make the story a tragedy or make the forces less impossible to conquer. Using the hand of God to save the day just says 'well they're fucked anyway but you know we really need a happy ending so here you go.'
I guess with all of the complaints about the story this should not be too terribly startling.
I am still annoyed.



I kind of wonder what Avatar would have been if Cameron played the military industrial complex down and instead just built the story around a coming of age archetype inside an alien world. The best scenes were the ones immersed in the beauty of a not exploding Pandora. I could have used a whole lot more of that and less of the Hippies are good and the military is bad preaching.

With that I am going to end this post. Avatar is a great movie even with all of its flaws. I would recommend it, it is worth the money to see and you will not be disappointed.

Friday, December 25, 2009

How Much Does Your Life Weigh?

Up In The Air
Day 14
Film 14


I have wanted to see this film ever since I saw the trailer. The more I heard about it, from reviews to the many awards it has already received, the more I wanted to see Up in the Air. I have yet to be disappointed by Reitman as Thank You For Smoking is one of my favorite re watchable films, and when I saw Juno I was just blown away.

Up in the Air is a spectacular piece of storytelling. It is well paced, the characters are memorable and very well flushed out, and on top of it all it has all of these juicy other layers to it that allow for a crazy English major like me just fall in love with it. Reitman uses his directorial powers with meticulous care. It makes you laugh at the same time breaking your heart. It is a beautiful, albeit understated (unlike the other Oscar contender Avatar), film. See it. See it now!

Up in the Air follows the life of a talented professional down sizer, as he learns who his family is and what he values most. Ryan Bingham, played by George Clooney, is at the start a sad lonely man living in denial, using his job and his 9 million plus air miles to hide from it all. He does not know the people he fires, he just does it anyway because that is his job. He is detached and alone with a job that demands humanity. Bingham's humanity was lost long ago, and one of the motifs in the film is this professional humanity that is very personal for one person and just routine for another. This is highlighted in Bingham's catchphrase, something along the lines of "every great man is sat where you are sitting right now," downsizing with people behind computers, break ups via telephones and the notion that a flowchart can outline the perfect course of actions for any turn of events inside the firing room.
The interesting thing with Up in the Air, which is chocked full of these images of empty office buildings and broken soon to be unemployed people, is that it is hopeful. Bingham assumes the role of savior instead of destroyer, even if it is just part of a well practiced speech. He gives most of them hope, one of the more powerful scenes involves Bingham letting someone go and halfway through the argument asks his current victim "You want your children's respect?" The scene goes on as Bingham explains that his children do not respect him, they respect athletes because they followed their dreams. A desk job was not his dream and the two minutes inside the firing room changed the man's life. There are at times when Bingham seems more like a traveling preacher than a professional down sizer. He travels the world alone, with nothing tying him down, his only god the airlines. He hands out books that have all of the answers anyone would need, something that could be a metaphor for the bible.

There are so many other angles I could take for this film. It really is a work of art and I would recommend it to anyone because I was blown away by this movie. I want to see it again. I want to tear it apart and piece it back together. It is just that good.

Wednesday, December 23, 2009

The Big Question

The Big Lebowski
Day 12
Film 13

This post is going to be brief. I am not sure about what to think about this film because it is a very good film. The Big Lebowski would be a masterpiece almost any other director made it. I cannot shake the feeling that for as good as it is it just is not good enough. It tries so very hard to be spectacular and falls short.
Why? The Big Lebowski is trying to compete with films like Casablanca or The Graduate, and if we are allowed to argue something to the effect of "Transformers is not a bad movie because it is meant to be a mindless soulless popcorn flick and succeeded at every step." Then we should be able to argue the opposite: "The Big Lebowski is a bad movie because it is meant to be a classic and fails in that regard." This argument is false though, because The Big Lebowski is not a bad movie. It is far from a bad movie. It is a very good movie that just fails at reaching for that final step.'
I cannot help but be moved by flawed works of art like The Big Lebowski. They are just more interesting than perfect pieces. Asking why a movie failed is more important than why it succeeded. This generally is due to the usual pitfalls of mass media blockbusters. With a film like The Big Lebowski this is not the case, they took a chance and tried new things. These lessons are things that film makers can learn from for years to come. A break from formula can be a great thing.

I am going to be writing a more complete analysis of The Big Lebowski for this blog, asking why The Big Lebowski is not a classic and where it fails as a film. I am hoping for it to be a 2K word affair, so it might be a week or so before i get to it.

Tuesday, December 22, 2009

Star Trek II: The Wrath of Khan
Day 11
Film 12

To be brief Star Trek II: The Wrath of Khan is a huge piece of nerd culture, and a necessary requirement to be educated in the wonders of the nerd. I needed to watch this film.

Wrath of Khan is a surprisingly good piece of cinema. It is a Star Trek film, which are known for their ups and downs. Khan is the shining star of the franchise because it is a solidly acted, written and shot piece of cinema that grabs you and does not let you go. Khan, played by the late great Ricardo Montelban, is a superb villain who loses by his own pride. Shatner, whom I enjoy laughing at as an actor rather than respecting, plays his aging general role well enough to provide the perfect foil for Khan. It all just fits perfectly into a fun two hours.

I would recommend anyone who has not seen it to see it, and for those who love it to watch it again.

Red Dawn
Day 11
Film 11

I am going to be honest about this movie. I fell asleep half way through, slept for a good 45 or so minutes, woke up and after a brief plot summary from a friend watched the ending 20 or so minutes.

With that warning shall we get to the meat of the matter?

I did not know about this movie until, when I was looking around the local Blockbuster with a friend, he pulled out Red Dawn after I told him he should find something popcorntastic. He came up with Red Dawn while I pulled out both The Big Lebowski and The Wrath of Khan.

Red Dawn is a fun, exciting romp through the world of popcorn action. It starts off quickly, not bothering to do boring introductions before the reds (who consist of a million different nationalities) come raining down from the sky to murder the good old American townspeople. It is well acted in a sort of cheesy action movie, in which the characters become people you want to root for. It approaches the sheer fun of kicking commie ass with some deep scenes, enough to make you know that if any of these people make it out of it they will be deeply changed by it. It is not a perfect movie, but a respectable popcorn flick that steps beyond the usual gun toting action baddies in the genre.
It should be said that Red Dawn is a powerful piece of propaganda, asking the question "if we were to fight the reds on our land what would it be like." for all of its fun we cannot just let it stop there. A movie like Red Dawn can be seriously dangerous because how it promotes nationalism and the McCharthian principles. It does this exceptionally well, and stands at a pinnacle for what movie making can do to sway a population with a good story.

The bottom line: Watch it. It is a good film that has a deeper meaning to it than its action roots would lead you to believe.

Lost in Translation

In the Loop
Day 11
Film 10

I love satire. It is my favorite genre, although it is almost impossible to get right. It makes the search for a good piece of satire exciting and difficult. I have been looking forward to seeing In the Loop for this reason because it seemed like it would be a great biting look at both British and American politics.

The biggest problem I had with In the Loop was that it ran on hit and miss gags. This is fueled by two small errors. the first is there are parts where I could not understand a word they said. The second is that the peaks in the story are based more on the amazing bits of hilarity and not the drama. It creates an indirect relationship between humor and tension. These problems are small and can easily be forgiven.
Why? Because In the Loop is hilarious! Beyond the usual ironies that are woven into the plot and dialogue, the humor is everywhere. The characters interact perfectly. They are believable people who seem to be caught in an outlandish, but far too true to not laugh, story. It does not pander to low blow jokes, but instead uses the humor them to criticize a million different ideas. It is an excellent example of satire.
I am going to avoid the critical analysis of this film, because I did not quite get it all. That and I have two more films to do this morning.

Before I go into the bottom line I will say this (because I could not find a reasonable place to put it anywhere else in the brief review): In the Loop takes a lot of inspiration from The Office and could not happen without The Office.

The bottom line:
I would hesitantly recommend this film to everyone. It is not a film for everyone, but I like to think it is. This is not a film for the kids or people who cower in fear at profanity, but it should be seen.

Under the Sea



The Life Aquatic with Steve Zissou
Day 11
Film 9

I was a big fan of Royal Tenembaums due to its attention to detail and quirky fun. The subtle story connected with a willingness to play with the medium portrayed in Tenembaums made me want to include some of Wes Anderson's other films in the list. The Life Aquatic made the short list if only because it featured Bill Murray, who is one of my favorite actors.

The Life Aquatic bares a shocking resemblance to Tenembaums. The characters are flawed and past their prime, learning how to live a normal life instead of a life filled with grandeur. The real only difference is found inside the premise. Tenembaums is a story of a family that has fallen from grace and the story is powered by an exagerated cast of characters. This allowed for a good deal of fun between the character's interactions. The Life Aquatic is lacking in this department, having some fun with the characters but chooses to focus on the amazing adventure of it all.
This devotion to the adventure provides a few dragging moments but makes up for it. There are some spectacular scenes where Anderson's artistic style is unmatched backed up by the amazing performances of the cast. At the peaks of the story you cannot help but be moved.

From a critical standpoint it is a modern day Moby Dick stitched together with Wes Anderson's usual style. This keeps it inside the usual motifs that run through Anderson's films. The most interesting thing about the movie is that where Ahab is consumed by his revenge Zissou does not seem to be struggling with it. Zissou is more of a sad man who is searching for a family than a madman trying to kill his whale. This allows for a more feel good ending.
I would like to see it again, because there is a lot to chew.

The bottom line:
If you have not seen a Wes Anderson film you should. For a new person to the director I would recommend Tenembaums if only due to personal preference.
The Life Aquatic should be seen by those who enjoy those who play with the medium and enjoy different albeit flawed pieces of art.

Monday, December 21, 2009

Life is a Prison

The Shawshank Redemption

Day 10
Film 8

I had heard a great many good things about this movie. It was enough to get me to watch it at 4 something in the morning when I could not get to sleep. I had seen the ending to this film a couple times and maybe some of the innards from time to time on television, but never sat through it from beginning to end.

I will say this from the start, Shawshank is a good piece of cinema. It has some respectable performances, although the only memorable one was Robbins' quiet, broken, performance as Andy Dufresne. The screen play was top notch, stitching together a powerful and challenging story with an array of tidbits to attack critically. The only problem I can think of was that it just would not end and I wonder if I would have liked the film even more if when Dufresne escapes from jail and screws the warden if it ended right there. That is a minor problem when compared to the rest of the film.
From a critical standpoint it does feel as if Darabont was focusing on criticizing corruption from every facet of society. He builds the prison as its own little universe detached from the rest of the world. The Warden forms himself into a god like character who gives life to the inmates, or forces their death through his army of angelic guards. Through the warden's actions Darabont seems to be sniping at God fearing Christians, making them the murders and the monsters while having the inmates be the human ones.
It all feels very Cuckoo's Nest like.
I could go on and on, making up shit about the film, but I will not. The film really could use a couple re watchings, and until I get around to that I cannot really come to any true conclusions.

Here is the bottom line: The Shawshank Redemption is a great piece of cinema, blending a complex and challenging message into a deep story. If you have not seen it you should.

An Average Dozen

Ocean's 12
Day 10
Film 7

A couple years back, in around 2005 or 2006, Ocean's 11 was pretty much my favorite movie. It was an enjoyable re watchable piece of film. Clooney and his ragtag group of superstars flushed out a well written plot that was just a blast to watch. It did not challenge anyone on any deep issues, but as a well executed piece of film it made up for it.
Before I finally orgasm from praise over the first movie in the series, I think I will just get to the reason why I'm fumbling over myself with praise. 11 was good, but when I saw trailers for 12 I went into it with decreased expectations. This led me to never actually consuming the second of the three films (although I did see 13 in theaters.) And when I set my dvr to stun this weekend, finding the time to actually watch it I was met with the exact movie I was suspecting.

Ocean's 12 is an average movie, with good parts, bad parts, and enough story to stretch over two and a half hours without feeling too bad, or particularly great. It has the same feel as Ocean's 11 but without the wonder of piecing together the bits at the end.

From a critical standpoint Ocean's 12 holds nothing to break apart, there are a couple cool shots that a director should note here and there I suspect. Other than that, the story is fun, and does not waste its time with a message.

To be honest I was not paying too much attention to this movie. I was paying some attention to Torchlight, which was far more entertaining than the movie. (Torchlight, for those who do not know, is a Diablo like click rpg.) I do not know if I missed all that much, but I am thinking I did not, seeing as I sat down for the whole thing this time instead of wandering away after about 45 minutes.

This said, if you are a fan of the Ocean's 1X movies and have not seen it, you could do worse. Otherwise I would give this movie a pass.

Thursday, December 17, 2009

I like my movies like I like my Orange Juice...

Pulp Fiction
Day 6
Film 6

I watched this last night, but since it is day six today I will count it today.

I would say without a doubt that Pulp Fiction has been the most entertaining film so far. It might only have 5 other films to compete with but it is one spectacular film.
I have been needing to watch Pulp Fiction for a long time now. it is a classic. It is Tarantino's masterpiece (which is saying something.) It was one of the most fun, and at the same time challenging pieces of film I have watched. I have been a short time fan of Tarantino, seeing the Kill Bill movies and Inglorious Basterds, and loving them drove me to want to watch Pulp Fiction. So far, I have not been unimpressed.
Let's just get to it: Pulp Fiction is spectacular and should be seen by everyone. I immediately thought of Mulholland Dr. when I sat down to write this. These films bare a great deal of likenesses, from strange rearranged plots, to interesting filming, to twists that are impossible to see coming. The big difference between the films is while Mulholland Dr. is a painful experience Pulp Fiction is just so much fun on top of the million angles to attack the art of it all.
I do not have much time today to write any sort of lengthy critical analysis so I'm just going to jot down a couple things that I noticed.

The futility of life: There is some senseless violence in the flick, it is not dramatized and instead feels very low key or even horrifically funny. This, along side Samuel L. Jackson's final epiphany gives this sort of sad you cannot stop anything from killing you at any time vibe.

Gangsters are Gods: It seems that the head gangster is more of a god than anything else, and that everyone in the world is trying to appease him or run like hell after they made him angry. I wish I could go into more on this, as it is very vague.

I cannot think of anything else right now, and since the posts have been pretty short please enjoy this little clip from early in the film.


Wednesday, December 16, 2009

Driving me Insane!

Mulholland Dr.
Day 5
Film 5

I was kind of looking forward to Mulholland Dr. when I first started this endeavor. I had heard that it was kind of a mind screw, with an interesting albeit impossible to decipher plot and was one of the better films of the decade. I put it on the list, and of the list it is the first to actually make it to the blog.

I will say this, for all of its flaws, and there are a great many of them, Mulholland Dr. is not a bad film. I cannot say that it is a good one, because it breaks so many norms, is so confusing and strange, and just unwatchable at points (although I'll admit this is said because I got bored to tear half way through, this after passing out about a third of the way through.) It felt long, it was not supported by any spectacular performances (or that the characters were just too flat to love) and left so many questions lingering to feel content with the ending.
If we approach the film as a piece to be consumed and enjoyed I think Mulholland Dr. falls on its face. It just was not enjoyable to watch, but I do not think Lynch was attempting that. It is a piece of art, and although I dislike it for so many reasons, I must respect it for what it tries to do. For once in a long long while there was a twist I was hit in the face with. The views on Hollywood life and life in general are stunning and hit like a ton of bricks. For every reason someone could say that it fails as a means of entertainment it makes up for it as a work of art.
That said, If you have not seen it I would recommend you watch it. It will not be the best two and a half hours of cinema you have seen but it will leave your mind buzzing.

Pineapple Express
Day 4
Film 4

I got the logistics out when I posted my thoughts on Choke, so lets just get to it.

Pineapple Express is an entertaining movie that can only be more entertaining with the use of narcotics.

That is about it.




Fine, I'll go into a little more detail.

Pineapple Express in one sentence is: "A marijuana addict witnesses a drug murder and hilarity ensues." The plot follows that, with having a 99% of the time stone duo run like hell from a drug cartel for two hours before an explosive, and obvious, finale. That being said, those two hours had some of the best moments I have seen in a while, including one of the better car chases I have seen.


The humorous plot and the obvious chemistry between Seth Rogan and the other guy really makes the movie a top notch comedy, not falling to the fart jokes and overused sexual humor that plague most of the bottom of the bin comedies. Some of it can be very hit or miss, especially in the early parts of the movie, playing on stoner stereotypes that just do not quite make it. As the film progresses the comedy hits again and again, enough to carry it over the almost silly emotional scenes.

This film was built to entertain and does it very well. This does not allow for much interpretation though, with the only quasi moral being that maybe if you did not get stoned all the time you would be able to do the right thing the first time rather than bumbling around for two hours. That is forgotten quickly between a lengthy, but enjoyable, final climax and a spectacular concluding scene.

I will say this. If you have not seen Pineapple Express you should. Get some friends together, there are enough laughs to go around. It is worth seeing because it is down right fun.
Choke
Day 4
Film 3

I did not post anything yesterday due to my lack of computer, so I'll be doing a little catch up tonight. That being said, I was able to squeeze in two more movies on Sunday night, and including my addition for today I have gotten through 5 films, none of them as bad as the Spider-Man film.

I will be attempting a bit more fluid style here, it seems like with the rigid structure of the last couple posts I did not get to say what I wanted, or felt very repetitive. So, without titles, here we go:

I came across Choke late night on Sunday, not quite tired enough to get to sleep, and not quite awake enough to do anything more than plopping in front of the television and surfing. Going into the film I do not know what I was thinking. Like Fight Club it was based of a Chuck Palahniuk novel which is enough for me to raise a brow. I have not consumed a great deal of Palahniuk, so I am no master of his entire collection. What I have consumed has been biterly cynical to the point of hilarity, and armed with a violent dark nature that is anything but discrete. This is right up my alley when it comes to the stuff I go out of my way to see.

Choke followed the life of a poor sex addict, his small depressing life, and his relationship with his mother. It is mainly set inside a mental hospital, and it seems that one of the themes of the movie is that everyone in this world is just a little bit insane. In fact, the one normal character in the entire film turns out to be a mental patient themselves. Choke analyzes this relationship, among others as its main character attempts to seek some sort of release from his destructive sex driven lifestyle. It lacks the big budget effects and loud shouting climaxes we are used to in film. It does not need them though, the story is quiet fueled by the power of some jarring moments of the most pitch black humor you can see. (And the ending, it is amazing! But I cannot spoil that last scene.)
Choke is not the greatest movie though, speckled with a few almost irrelevant scenes and powered by respectable, but not memorable, performances with a couple twists you could see from a mile away and an comedic expectation. None of this really hurts the film, but it keeps it from reaching the higher echelons beyond being a good movie. More importantly, this film is sculpted as a black comedy, there are parts that are tasteless, vulgar and obscene, which make anyone squeamish. This is why you do not read Slaughterhouse V with a pro war attitude, and why if you are easily offended you stick to the more boring and artistically dead things like Transformers.
Choke is a piece of art after all. It is not perfect, but allows for enough interpretation to allow anyone who likes to chew on that sort of thing to muse on it.

Speaking of musings lets do that:

There were a couple of motifs I noticed throughout the film, and seeing as I have only watched it once these things were the things that stood out most.

What is mental illness?
The film attacks this problem more subtly than Cuckoo's Nest, but seeing as it is set almost constantly inside a mental hospital it would be hard not to touch on the issue.
The director seems to connect mental illness with the need to belong, choosing a sex addict as their main character. This character must have physical contact with anyone, and everyone in order to feel complete, but even then feels empty. The mother character steals a child in order to fulfil her needs, and is locked away from it. The best friend, who is a chronic masturbater, finds love and overcomes his troubles.
Every character in the film seems to be replacing real loving interactions with some sort of substitute and for it is unstable, even insane.
This idea is cemented through a repeated action, through the self induced choking by the main character so as to scam their savior into sending them money each month, and through the need for the mentally ill to find a messiah to forgive them and absolve them of their sins.

Why do we need a God?
This couples with the first motif, and is a little less pronounced. There is a part of the film where the main character believes himself to be the spawn of Jesus. Apart from the obvious irony for a sex addict to be a minor deity (although now that I think about it those Greek gods got it on A LOT) it helps highlight the main characters good sides, and gives him a hope for redemption.
This is shown as the main character willingly takes the blame for all of the problems of the old women inside the mental hospital, willingly admitting that he raped an old woman (even though he did not), and absolving others of their regrets by just saying albeit hastily 'I forgive you.' It is very godlike of him.


I had more but they just drifted away. Damn!

Our final result:

Choke was an enjoyable movie. It is not perfect. It is not for everyone. Those who would enjoy it however should find it more than worth their time. If you are easily offended, or have a hard time watching more subtle flicks without falling asleep, this one is not for you.

Sunday, December 13, 2009

A Superhero Soap


Spider-Man 3
Day 2
Film 2

Going into today I did not think that finding a movie via television would be so difficult. I was expecting to turn on the tube see something imediately, record it and then watch it at my lesure a coupel hours later. When I did sit down I came to the stunning realization that most of the movies on the X million channels are not the ones I have any want to see. This put me in a bind. That was when I came across FX, and saw that Spider Man 3 was playing today. It had the benefit of actually being somethign I almost wanted to watch. So I set my DVR to record and here we are.

My Expectations:

For a couple of years Spider-Man and Spider-Man 2 were the best of the best when it came to superhero movies. There was not a whole lot of competition, and in retrospect the 2002 Spider-man does not quite live up to its age. The sequel was a masterpiece for the genre, and a key prerequisite for the success of The Dark Knight.

I had great hopes for the film when it first came out, as many others did, but amdist a tide of nay say reviews by a small army of over hyped geeks it fell off of my radar. Still, the success of the second movie was enough to make me intrigued when I saw it while surfing channels.

The Plot:

Spider Man 3 felt like it had too many balls in the air, catching spots of a good story here and there, but with too many plot lines to follow. No one story really hit home, and the confused mess really hurt the film overall. It has the same feeling as other bad super hero movies where there are seven villains, a super hero's personal life, and the fate of the romantic interest... Actually, looking back on that last sentence that is Spider-Man 3. If we resign to that we might as well say that Spider-Man 3 was a bad super hero movie, but I would not accept that completely.
It felt like the writers were trying to be true to the source material, and as anyone who has any idea about Marvel story lines (although I am no expert) they all are built around Shakespearean motifs. With that base, the stories feel rehashed and predictable. But that is not why we watch super hero movies. No, it is for the chance to escape to something amazing.
The question becomes: Does Spider-Man 3 fulfil in the something amazing department? I say no. Spider-Man 3 forgets this by throwing in a confused soap opera plot with superheroes. It gives us some great action scenes stitched together with poorly written (or poorly acted) sop. It made the movie drag in places. This coupled with the already confusing plot line just made the film impossible to get into.

I wonder if you were to take each of the villains highlighted in the film (Hobgoblin, Sandman and Venom) and gave them their own 2 hours of fame, if it would be better?

A Critical Look:

As I said, Marvel's story lines all have a Shakespearean feel to them, and they benefit from it. It allows the plots to be enjoyable for their ridiculousness without making the audience feel lost. This does not allow for experimentation and becomes the flaw for most Marvel tales. What good is another retelling of Shakespeare for a world already sick to death of it?
Apart from that I cannot say much of anything else. It is a popcornrific superhero movie, it knows this and does not try to go beyond it.

My Thoughts:

Spider-Man 3 was an average superhero movie. It did not knock my socks off like its predecessor had. It did not challenge me mentally or emotionally. It had fun parts (mostly powered by spectacular performances by the tertiary characters.) If I had anything else to do I would have done it, but when just laying around and watching television, you could do worse.

If you are a fan of superheroes and comic books there are worse movies to watch. If you are not, there are better things on the television you could be watching.

Day 1: Goats


The Men Who Stare at Goats
Movie 1
Day 1

Well, its the first film, and the first day, which means this challenge will end in... 100 days (although I am unsure at this time what day that actually is.) Logistics aside lets get to the meat of the matter, which is our first film: The Men Who Stare at Goats

Expectations:
I wanted to see this movie when I first saw the trailer. It looked like an amuzing film aimed to make fun of those supposed psychics, who are more insane than actually useful.
When the movie first came out it was met with so so reviews and mixed 53% on the rottentomatoes.com . That being the case I looked at it with a raised brow and then promptly forgot about it. Until tonight, when looking for movies to watch with a friend it caught my eye.

The Plot:
"The film follows Ann Arbor Daily Telegram reporter Bob Wilton (Ewan McGregor), who one day interviews Gus Lacey, a man who claims to have psychic abilities." (Wikipedia)
That is the basic premise, which leads to an off the beaten path story that feels more Hollywood than its 'based on a true story' title would leave one to believe. Even then, with the notion of Hollywood playing with the story, it lags in the middle.
The humor makes up for this for the most part, stabbing at the military while making Star Wars references. There are a couple great scenes, carried by the ridiculousness of the plot and some well done direction. Other times the humor seems forced.
In the end the plot gains an almost convoluted air to it, tying together the two story lines in what feels just too ridiculous to be true. This leads to some of the greatest moments in the movie, but bogs down the overall show.
Complaints aside, there were no deal breakers, no ridiculous plot holes, and not enough bad to overshadow the good.

A Critical Look:
Heslov does not aim very high when it comes to the motifs and themes of the film. He paints a portrait of Americans being idiots, most especially those in the military. He cannot come to the conclusion on whether or not you should believe the psychics story and instead feeds us with a kind of 'believe what you want to believe' message.

My Thoughts:
The Men Who Stare at Goats is an enjoyable, but forgettable movie. It does not take many risks. It will not change cinema. It will not lead to any Oscars. It is a middle of the pack, feel good movie aiming for a reasonable profit and a reasonable following. It has good moments. It has bad moments. There is not much more to say about it.
I do not regret the 10$ I spent to watch The Men Who Stare at Goats, but I am left to wonder if I would have enjoyed myself more had I had gone to see Fantastic Mr. Fox.
If you enjoy George Clooney, silly off the beaten path comedies or watching psychics make a fool of themselves I would recommend it. If not, I would wait for it to come out on netflicks, or on television or something.

Tuesday, December 8, 2009

The First 25 Confirmed

Well the first post felt a little rushed and a little unprofessional. To make up for that I will go into more detail about this endeavor, what I imagine it to look like (although it will most likely change as I get going), and my initial selection of films that are must sees in this challenge.

The Details:

100 Films in 100 Days is a challenge to myself to sit down and do something with the same gun ho attitude that I gain when I become passionate about something. Unlike those previous passions in which I would burn out and have to walk away from it for weeks and then return to it with less zeal, the goal of 100 Films is to endure the initial burn out and continue even if I feel overwhelmed or depressed.

Although 100 films is about watching all of these movies that I need to see, it is something more for me. It is an attempt to hold on to the passion that drives my erratic endeavors, and see it through to the end.

What it should look like:

In an ideal world I would blog about each movie each day directly after viewing it. Writing up a short 300-500 critique of the film, some thoughts about the initial viewing and whether or not I liked it, or would recommend it to anyone.

This is the goal for which I will be aiming for. It is assumed that for all 100 days I will be unable to reach this goal. This shall be a forgivable crime against the challenge. The key to this blog is to attach a following, a watchable goal for friends and strangers, and a catalog for future reference.

The real goal is what is stated with the title: Watch 100 films in 100 days. I am reaching high, and to allow myself to stumble but still succeed, instead of saying I must watch 1 movie each day, I can instead watch multiple in one day to catch up, or get ahead of the goal. That said, expect there to be days where I watch no movies, and days I watch 5 or 6.

Wow, just thinking of 6 movies in a day sounds exhausting.

The first 25:

Before I go into the first quarter of the list, I feel as if I should explain the few criteria I have for the films I have chosen. Also, I feel as if I should warn readers that I might not get to every film on the list and that this list is more of an outline than a set in stone sort of thing.

The Criteria:

  1. I cannot have watched the film before. Some of these films I have attempted in the past, and others I have seen fragments, but not their entirety. These I am counting as unwatched, because a film is its entirety and should be treated so.
  2. The films must be reasonably well known. Seeing as this is a crash course in classic film these movies need to be known and respected. Be it as a classic like The Godfather or a cult favorite like The Evil Dead 2.
  3. I want to have the desire to watch it. This basically cuts out the actors who I just cannot stand and the movies that I have no love for. (Sorry Mel Gibson and whoever is behind the travesties that are natural disaster films.)

These criteria are not too terribly strict and should keep me up to my eyeballs in good movies.

That said, I feel as if I have gone on far too long and should get to the meet of the post for those reading this and the tentative first 26:

  1. American Psycho
  2. Mulholland Drive
  3. The Godfather
  4. The Godfather Part Two
  5. Citizen Kane
  6. Lawrence of Arabia
  7. The Evil Dead 2
  8. The Maltese Falcon
  9. West Side Story
  10. American Graffiti
  11. Rocky
  12. Fargo
  13. Pulp Fiction
  14. Blade Runner
  15. The Shawshank Redemption
  16. The Drunken Master
  17. Dirty Harry
  18. Insomnia
  19. Up
  20. Up in the Air
  21. 2001 A Space Odyssey
  22. Star Trek II: Wrath of Khan
  23. Spartacus
  24. The Birds
  25. A Hard Day's Night
  26. The Big Lebowski

It was 25 when I first entered the list, and then the Coen brother's cult classic, The Big Lebowski, came to my brain and it made the first 25 list, be it the 26th in the selection.

There might be something to say about that... but I digress.

That is it. Chosen from my own want, lists of classic movies, academy best picture lists, and word of mouth. That still leaves 74 more movies, and right now I am trying to iron out what should be in there and should not be, with the help of friends of course.

Monday, December 7, 2009

The Begining

Hello all of you wonderful anonymous blogger types.

This came to me, just as many other ideas, from an almost epiphany while cooking up some ramen to eat whilst watching Adaptation.

Basically, I realized I needed to watch more movies. The goal of this blog is to ramp the movie watching up by a large degree. 100 films in 100 days, the challenge is right there. It should be fun!

I'm planning on starting this endeavor in January, but it might start sooner than that. Until then I'll spoil the probable list of films that I will be watching over the 100 days.

Until then...

Sean